In the Press

  • "Brilliantly conceived and highly original” ★★★★★

    — The Scotsman on work.txt

  • How do you adapt a text that has been endlessly reworked for screen, stage and art, with characters who are ingrained into our collective cultural psyche? You do it exactly like this…fantastic. ★★★★★

    — The Stage on Alice in Wonderland

  • I’ve been on a number of interactive audio walks, and this is definitely the best. ★★★★★

    — London Theatre 1 on Ghost Walk

Alice in Wonderland
Nominated for 7 OffWestEnd Awards, Best Production, Best New Play, Best Performance Ensemble, Best Newcomer, Best Sound Design, Lighting Design and Costume Design
WINNER OffWestEnd Award for Best Newcomer - Nkhanise Phiri

★★★★★ - The Stage ★★★★★ - Broadway World ★★★★★ - Londontheatre1 ★★★★★ - Salterton Arts Review ★★★★★ - Time and Leisure ★★★★★ - A Youngish Perspective
★★★★ - Reviews Hub ★★★★ - Voice Mag ★★★★ - Everything Theatre ★★★★ - Reviews Hub ★★★★ - PlaystoSee

"How do you adapt a text that has been endlessly reworked for screen, stage and art, with characters who are ingrained into our collective cultural psyche? You do it exactly like this…fantastic." ★★★★★ The Stage

‘This is a proper family show for everyone whatever their age and Poltergeist and Brixton House should be cheered to the rafters for having the courage to take a tale as old as time and make it fresh and relevant’ ★★★★★ London Theatre 1

“Alice in Wonderland is a great Christmas show and a great family show. It’s a lot more than that, too. It’s a great Brixton show. Also a great example of a creative team at the top of their game.’ ★★★★★ Salterton Arts Review

‘Jack Bradfield has pulled off that wonderful trick of writing a script that appeals in equal measure to kids and adults.’ ★★★★★ BroadwayWorld

Ghost Walk

OffWestEnd Award Finalist 2022, Sound Design

31 ways to beat the January blues, The Guardian
25 best shows to see this Christmas, The Guardian

"I’ve been on a number of interactive audio walks... this is definitely the best" ★★★★★ Londontheatre1
"It’s a spine-tingling tale filled with love, loss, and hope—a ghost story worthy of the masters of the genre themselves." ★★★★ The indiependent

work.txt

★★★★★ The Guardian ★★★★★ The Scotsman ★★★★★ The Skinny ★★★★★ Voice Magazine ★★★★★ Edinburgh Guide ★★★★★ North West End ★★★★ ThreeWeeks ★★★★ Fest Magazine ★★★★ The Arts Desk ★★★★ The Telegraph

“Brilliantly conceived and highly original” ★★★★★ The Scotsman
“God, but I do love this.”★★★★★ The Guardian
“Dizzying(…) unmissable” ★★★★★ Edinburgh Guide
Best of The Fest ★★★★ Fest Magazine “
“An original idea executed with real wit” ★★★★ The Telegraph

Electric… I have no hesitation in recommending.” Lyn Gardner, Stagedoor
“It felt like a church service, the mixture of stumbling reading aloud and earnestness, overlaid with something haunting and magical.” Alice Saville, Exeunt

Winner: TRC International Innovation Award 2021, VAULT Innovation Award Nominee 2020, OffWestEnd Award Nominee, IDEA Production.

i will still be whole (when you rip me in half)

“A gem of a play, soft and lyrical and full of promise" ★★★★ spyinthestalls
”Concept, execution & premise are stunning” ★★★★ My Theatre Mates
"...lyrical and moving play about mothers, daughters and identity that rewards deep engagement" ★★★★ - The Stage
“A huge idea is condensed into a swift 50 minutes, and telling a complete story, but leaving us wanting more and more and more.” ★★★★ - Reviews Hub

No One is Coming to Save You

“Under the skilfully subtle direction of Charlotte Fraser, Ellis lights up the layer between reality and what we see. [...] The intensity never lets up” - ​★★★★ - The Guardian
“Ellis’ writing is dense and lyrical, full of shimmering turns of phrases. This is a strikingly mature work from a young company to watch.” -​ ★★★★ - The Stage
“Charlotte Fraser's production fosters a neat sense of unease.” - ​Matt Trueman, What’s On Stage
“There’s a core of sweetness to No One is Coming to Save You that edges it out from the rest [...] A tentative, knowingly misplaced optimism that the show gently ends on.” - ​Exeunt

Landscape (1989)

​"Did I know all the time what was going on or what was the intention? No. Did I mind? Double no.” - Lyn Gardner
“The show is entrancing… delicate, lacelike and trusting” The Stage
“A real step-up from a very promising duo… this cute, offbeat piece watches on as the world winds to its end.” Matt Trueman, Fest.
“Emergency Chorus have read the rule book, and are methodically dismantling it page by page” The Empty Blogspace
“A meditative and melancholy performance-piece… it has a gentle but insistent energy" Exeunt

CELEBRATION

"A small but glorious remedy for despair... a touching and thought-provoking theatrical gift." - ★★★★ - The Stage
“A unique and mesmerising cocktail of stand-up, dance, poetry and song" - The Sunday Times
“Every celebration rolled into one surging, joyful package… a gawky evocation of the present moment” - Exeunt
Winner of the Sunday Times Playwriting Award, the Fest-goers’ Award and the Freckle Productions Award